Renowned Nigerian gospel artist Mercy Chinwo has broken her silence on the ongoing legal tussle with her former label boss, Ezekiel ThankGod, widely known as Eezee Concept. Through a statement released via her legal team and shared on her Instagram page, Chinwo detailed her journey with the music producer, starting as a background singer before signing with his label.

According to Chinwo, her first contract with Eezee Concept was signed in 2017 but was later altered to reflect 2019. This discrepancy, she claims, was one of the catalysts for her decision to part ways with the label.

The gospel star revealed that Eezee Concept sought to extend her initial five-year contract to an unprecedented 12 years, which she declined, citing personal plans and professional aspirations. Chinwo stated that the refusal led to a strained relationship that escalated into what she described as a “toxic environment” rife with verbal and emotional abuse.

Allegations of Intimidation and Control

Chinwo’s statement also included disturbing allegations of threats and intimidation by Eezee Concept. She accused the producer of making comments such as, “I will deal with you, I will mess you up, I made you who you are. I can shut you up, and nobody will hear you again, and I will destroy your career.”

In addition, she claimed that Eezee Concept misled event organizers about her availability, complicating her ability to engage with her audience and fans.

Her Current Stand

Despite the ongoing legal issues, Chinwo clarified that she has not demanded her music catalogue from Eezee Concept. Instead, she insists that the label release the first three pages and the execution page of her original 2017 contract, which she alleges was altered without her consent.

Opinion: The Complexity of Music Contracts in Nigeria

Mercy Chinwo’s case shines a light on the challenges many Nigerian artists face in navigating music contracts. Stories of exploitative deals and prolonged disputes between artists and record labels are all too common in the industry. Chinwo’s allegations of intimidation and contract manipulation, if true, highlight a deeper issue of power dynamics that often leave artists vulnerable.

For gospel artists like Chinwo, whose work inspires millions, such disputes can tarnish not just personal reputations but also the uplifting nature of their music. While both parties may present differing accounts, this case serves as a reminder of the need for transparency, fair practices, and mutual respect in business relationships.

As the legal process unfolds, fans and industry watchers will undoubtedly hope for a resolution that upholds justice and protects the integrity of both the artist and the creative industry at large. Mercy Chinwo’s courageous decision to speak out could pave the way for better practices in the Nigerian music scene, ensuring future artists are better equipped to protect their interests.